Plus Tech Squeeze Box Rarest

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With 13 tracks averaging not much more than two minutes each, Japanese electronic pop duo 's second album is a dizzyingly intense roller coaster ride through a two-D world of Saturday morning kids cartoons, with song titles like 'Fantasie C dur P.491-Generalprobe-' and 'Hoky-Poky a.la.mode.' Telling you at once everything and nothing about what are about. Is a frantic cut-and-paste of multiple vocalists, thousands of samples, and dozens of melodic ideas, with none given more than about 20 seconds to assert itself before skipping to another, like a child with ADHD, a two liter bottle of coke, and a remote control. Musically, there are snatches of funk, pop-punk, techno pop, disco, bubblegum, hip-hop, hillbilly banjo, and electronic jazz all played at what feels like ten times the normal speed, with the album's conceptual origins going back to the '90s Shibuya-kei style of artists such as and, but also to Japanese new wave and neo-new wave bands like the. While this musical sugar overdose is undoubtedly an acquired taste, the way it sticks to its central artistic concept, avoiding self-indulgent excursions and reining itself in at under half an hour, leaves you breathless at the finish and hungry for a second listen rather than simply exhausted.

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Plus-Tech Squeeze Box are a Japanese electronic band, consisting of ハヤシベトモノリ(Tomonori Hayashibe), ワキヤタケシ (Takeshi Wakiya) formed in 1997. The frenetic kitchen-sink sound of their first album FAKEVOX (2000) is an example of the subgenre known as picopop, driven by rudimentary synthesized sounds and heavily-manipulated samples from a variety of sources. Junko Kamada provides vocals throughout the album. Their second album, CARTOOOM!, was released in 2004. Junko Kamada is conspicuously absent, having parted ways with the band.

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Instead, sampled vocals and a variety of guest singers are.